Lights Out 2016 Filmaffinity

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Lights Out 2016 Filmaffinity

Equipo De Filmación

Coordinación Departamento de arte:
Éléa Chahat


Coordinador de acrobacias:
Swan Maxence


Diseño de guión:
Rishal Connes


Imágenes : Merryn Sestier
Co-Produzent : Piers Allyn


Productor ejecutivo : Henner Bronwyn


Director de arte supervisor:
Kamari Kimmy


Produce|Producir : Rejan Allie


Fabricante: Eshan Serge


Actriz : Wayne Saketh

6.3
2433

Título de la película	Lights Out 2016 Filmaffinity
Momento	195 minutos
Lanzamiento	2016-07-21
costo	MPG 1080p BRRip
Género	Thriller, Mystery, Horror, Drama
lenguaje	English
nombre de reparto	Slimane G. Emery, Eflatun FilmMilan C. Laffin, Burrell A. Bravo

[HD] Lights Out 2016 Filmaffinity

My son Julian (13) and my lady Tammy, themselves two horror-film aficionados, and I went and saw this theatrically, and we were all quite pleased, though at least Julian and I tend to go for the classic stuff. Well worth checking out, if you're in for this sort of thing.
Although a simplistic and familiar theme is explored involving sinister forces tormenting a child in distress, Swedish director David F. Sandberg brings something chillingly fresh to his horror/psychological offering **Lights Out**. Sandberg, making his feature film debut, delivers an adequate amount of tension and trickery for all things considered ominous in the edginess of darkness. Lights Out is a reasonable chiller that demonstrates a decent measurement of depth without tripping over its cliched feet. The characterizations that go “bump in the night” in **Lights** are not as disposable as one is routinely used to experiencing in produced over-indulgent, generic boofests.

The construction of **Lights Out** feels atmospheric and sparse at times but the manufactured thrills somehow add the necessary alarm factor in a psychological thriller that boasts solid performances particularly by actress Maria Bello as the tortured soul at the center of the CGI creepiness. Sandberg’s adventurous direction and screenwriter Eric Heisserer’s spell-binding script works in part because Lights Out never extends itself beyond its lean and claustrophobic confines. The storytelling is taut and the scare tactics create worthy jolts without further monotony. There are predictable jumpy cuts and the movie never fully deviates from the conventional suspenseful landscape that populates countless fright fables. Still, **Lights Out** manages to shine some shady brightness on this effectively drawn hair-raising spectacle.

The premise introduces the long-lasting notion of childhood fear and despair on the jeopardized shoulders of young insomniac Rebecca (Teresa Palmer) who has long since left the haunting homestead where the evil vibes of a dastardly spirit had tortured her relentlessly. Rebecca is now concerned that the tawdry tradition of this shifty spook is now about to terrify her little 10-year old stepbrother Martin (Gabriel Bateman). In fact, Martin wants to split his hellish household and escape to Rebecca’s place for some guaranteed safety. After all, who can blame the poor kid for wanting to abandon his doomed domicile.

Enter the problematic Sophie (Bello). As the nervous-wreck mother to both Rebecca and Martin, Sophie has had her share of disappointments, heartaches and breakdowns in the past and present. It was revealed that Sophie had spent some critical time in a mental institution many years ago which explains her current complicated issues with men/relationships not to mention the strained connection with her disillusioned children. More important, Sophie faces the dilemma of encountering an assortment of deceased figures that randomly pop up from time to time within her expansive, worrisome walls. But nothing is more arousing or concerning than Sophie’s run-ins with the devilish Diana (Alicia Vela-Bailey), her troubled off-the-wall pal and fellow asylum inmate from yesteryear.

What is so jittery about Diana’s presence in the house is that she is so clingy and protective of her precious Sophie. The key to Diana’s horrifying existence is when the lights are turned off, Thus, it allows the deranged feminine entity to roam the house in a blanket of blackness while staking the beleaguered Sophie in the process.

**Lights Out** (originally Sandberg’s short film competition entry years ago) acts as a symbolic mirror reflecting the echoes of mental illness and inherent self-destruction concerning the fragile psyche. The film percolates convincingly when Bello’s Sophie is scarred constantly by the harried ties that bind. Sandberg demonstrates a wounded woman on the edge of insanity. The suffering of inner conflict and outer self-doubt has consumed Sophie to the point where she has personalized her self-inflicted poison with baggage ranging from a couple of deceased husbands to the harsh reality that her children are weary of her toxic nuttiness. Bello displays the brokenness and confusion of her portrayal with applauded conviction. The sister-brother tandem of Palmer’s Rebecca and Bateman’s Martin is both comforting and intriguing as they are joined at the hip in their fright night delusions. Vela-Bailey’s Diana is deliciously shadowy as the intrusive Diana applying the statically gloom.

The nightmarish special effects are challenging and imaginative and cinematographer Marc Spicer’s experimental lighting gives **Lights Out** its gripping sheen. Overall, Sandberg’s menacing mechanism of a movie certainly forces the shaky hand of its skeptical audience to snuggle up to the nearest light switch.

**Lights Out** (2016)

Rat-Pac Tune Entertainment

1 hr, 21 mins.

Starring: Maria Bello, Teresa Palmer, Gabriel Bateman, Billy Burke, Alicia Vela-Bailey, Alexander DiPersia

Directed by: David F. Sandberg

MPAA Rating: PG-13

Genre: Horror/Psychological Thriller/Supernatural

Critic’s rating: *** stars (out of 4 stars)

(c) **Frank Ochieng** (2016)
2016 continues to be a great year for horror, and _Lights Out_ is a decent example of that, with a whole lot of originality.

_Final rating:★★★ - I personally recommend you give it a go._
When Rebecca left home, she thought she left her childhood fears behind. Growing up, she was never really sure of what was and wasn’t real when the lights went out…and now her little brother, Martin, is experiencing the same unexplained and terrifying events that had once tested her sanity and threatened her safety. A frightening entity with a mysterious attachment to their mother, Sophie, has reemerged.

Lights Wikipedia den frie encyklopædi ~ Lights Valerie Poxleitner født 11 april 1987 bedre kendt som Lights er en synth popsangerinde og sangskriver fra Canada Diskografi The Listening 2009 Siberia 2011 Referencer Der er for få eller ingen kildehenvisninger i

Hesalight Wikipedia den frie encyklopædi ~ Afsløringen af skandalen begyndte med at en række store virksomheder som MøllerMærsk Arla og Novo Nordisk som selskabet havde omtalt som nøglekunder i prospektet alle afviste den påstand og benægtede at have handlet med Hesalight Sagen endte med at Erhvervsstyrelsen forkastede regnskaberne Hesalight blev erklæret konkurs og Lars Nørholt blev sigtet af Bagmandspolitiet

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Ankerstjerne rapper Wikipedia den frie encyklopædi ~ For alternative betydninger se Ankerstjerne Se også artikler som begynder med AnkerstjerneLars Ankerstjerne Christensen født 15 august 1984 bedre kendt under pseudonymet Ankerstjerne er en dansk sanger rapper sangskriver og debuterede i 2007 under pseudonymet Jinks med singlen One Night fra soundtracket til ungdomsfilmen Rich Kids

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Jimmy Lea Wikipedia den frie encyklopædi ~ Lea optrådte desuden som forsanger på flere af Slades numre herunder When the Lights Are Out 1974 og Radio Wall of Sound 1991 ligesom han til størstedelen af deres øvrige indspilninger leverede en kompetent og kraftfuld andenstemme til Holders frontvokal Jim Lea forlod Slade efter Holder var holdt op i 1991 Han studerede psykoterapi

Belejringen af Leningrad Wikipedia den frie encyklopædi ~ Belejringen af Leningrad også kendt som Blokaden af Leningrad Russisk блокада Ленинграда blokada Leningrada var et mislykket forsøg fra Aksemagternes side på at byen efter Hitlers ordre skulle »fjernes fra jordens overflade« sammen med hele sin befolkning Byen blev derfor ikke stormet Den tyske hær blokeredeomringede i stedet byen for at sulte den ihjel

Michael J Fox Wikipedia den frie encyklopædi ~ Under og straks efter Tilbage til fremtidentrilogien medvirkede Fox i Teen Wolf 1985 Light of Day 1987 The Secret of My Success 1987 Bright Lights Big City 1988 og De kaldte os helte 1989 I The Secret of My Success spiller Fox en kandidat fra Kansas State University som flytter til New York City hvor han bliver finansmand

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